Yesterday’s shared photo of the striking blue-and-white pitchers on my blog—the response was overwhelming! Many of you have asked: What are these? Where do they come from? Are they costly? The answer: these are beautiful examples of Saint-Omer pottery, a centuries-old ceramic tradition from northern France.
Saint-Omer, has been known for its faience—tin-glazed earthenware—since the 17th century. Influenced by the techniques of Italian maiolica and Dutch Delftware, the local potters of Saint-Omer developed a unique style during the 17th and 19th centuries. Their most recognizable work includes pieces decorated in rich cobalt blue, with white painted designs.
Among the most iconic examples of Saint-Omer faience are the blue pitchers. These often feature a rounded or fluted body, a single curved handle, and hand-painted decorations such as white dots, dashes, or floral strokes. The contrast between the deep blue background and the loose, expressive white designs gives each piece a distinctive personality. They were commonly made on a wheel and decorated by hand, making no two exactly alike.
In terms of value, the price of Saint-Omer pottery can vary significantly depending on the age, condition, and intricacy of the design. A simpler early 19th-century pitcher with basic dot or line decoration might sell for around €100. On the higher end, more elaborate or older pieces, especially those with pewter lids or highly detailed motifs, can be worth over €1,200, as seen in recent listings through French auction houses like Thierry de Maigret. Tobacco jars, vases, and other specialty forms also appear on the market, with prices ranging anywhere from €60 to €600, depending on provenance and uniqueness.
How can you tell if a piece is truly Saint-Omer? The truth is, many authentic examples are not marked, which makes identification more of an art than a science. Most potters in Saint-Omer did not consistently stamp or sign their work. However, there are stylistic clues- that distinctive deep blue glaze with white decoration, often applied loosely and with visible brushstrokes. The shapes tend to be traditional—jug-like, with rounded or fluted forms—and the overall finish often has a slightly rustic, handmade quality. Some rare pieces might bear initials or faint markings underneath, but many do not.
For those looking to research further or compare examples, the website InfoFaience.com offers helpful guides to French pottery styles and markings
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